ragtime
- n. 繁音拍子(多切分節(jié)奏的一種早期爵士樂(lè))
- adj. 滑稽的;不嚴(yán)肅的
中文詞源
縮寫自 ragged time,來(lái)自 rag,破布,撕開(kāi),用于音樂(lè)術(shù)語(yǔ)切分,time,節(jié)拍。
英文詞源
- ragtime (n.)
- also rag-time, "syncopated, jazzy piano music," 1897, perhaps from rag "dance ball" (1895, American English dialect), or a shortening of ragged, in reference to the syncopated melody. Rag (n.) "ragtime dance tune" is from 1899.
If rag-time was called tempo di raga or rague-temps it might win honor more speedily. ... What the derivation of the word is[,] I have not the faintest idea. The negroes call their clog-dancing "ragging" and the dance a "rag." [Rupert Hughes, Boston "Musical Record," April 1900]
Conceive the futility of trying to reduce the intangible ragness to a strict system of misbegotten grace notes and untimely rests! In attempting to perfect, and simplify, art is destroying the unhampered spirit in which consists the whole beauty of rag-time music. The very essence of rag-time is that it shall lack all art, depending for the spirit to be infused more upon the performer than upon the composer himself. ["Yale Literary Magazine," June, 1899]
Her first "rag-time" was "The Bully," in which she made great sport by bringing a little coloured boy on the stage with her. Miss [May] Irwin says the way to learn to sing "rag-time" is to catch a negro and study him. [Lewis C. Strang, "Famous Actresses of the Day in America," Boston, 1899]
雙語(yǔ)例句
- 1. The ragtime had a cracked, heartbroken rhythm as though it were a one - step of despair.
- 爵士樂(lè)曲發(fā)出破碎 、 傷心的節(jié)奏,倒象是絕望的獨(dú)步舞曲.
來(lái)自辭典例句
- 2. The most popular music back then was called ragtime.
- 那時(shí)最流行的音樂(lè)叫拉格泰姆音樂(lè).
來(lái)自互聯(lián)網(wǎng)
- 3. African - American piano player Scott Joplin wrote many ragtime songs.
- 非裔美國(guó)鋼琴家ScottJoplin寫了許多拉格泰姆歌曲.
來(lái)自互聯(lián)網(wǎng)
- 4. Ragtime is a kind of music played by a solo pianist.
- 散拍音樂(lè)是一種鋼琴獨(dú)奏的音樂(lè)形式.
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- 5. This song combines musical elements from both Ragtime and march.
- 這首歌結(jié)合了拉格泰姆音樂(lè)和進(jìn)行曲樂(lè)隊(duì)音樂(lè)的要素.
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